FILM & EDITORIAL

KAT GRAHAM & BRYANT WOOD — WEDDING AT CHALET TOURNESOL
Featured in The Knot Magazine-Winter 2025
Creative Direction & Planning

Kat and Bryant approached their wedding with clear vision, something grounded, expressive, and honest. I was grateful to lead the creative direction and planning, bringing their vision to life through an experience that felt effortless yet deeply considered.  

Set in the San Jacinto Mountains at Chalet Tournesol (@chalet_tournesol), the property marked the incipience of something deeply personal. Built by Valerie to honor great loss, it became the setting where Kat and Bryant began a new chapter surrounded by friends and family, transmuting a space once born of grief into one filled with love.  Where prayers and vows were once shared in reverence and solitude became a dance floor filled with joy.

As the night unfolded, Swiss Alps romance met Italian, Jewish, and African roots, each tradition woven into the next: a candlelit ceremony under the stars, a mille-feuille wedding cake, cheese wheels, and a dance floor that never emptied. Their friends painted and performed live art while the DJ carried the energy forward; later, a mechanical bull turned the mountain air into a playground. The night balanced elegance with play, intention with freedom. Every moment considered, every joy earned.

This wedding is an example of what love, design, and intention can build together: an active practice of love reshaping each place it inherits. 

Featured in the Winter 2025 Celebration Issue of The knot.

IF I RUN — LIFETIME TELEVISION (2025)
Associate Producer

If I Run is a feature-length television film based on Terri Blackstock’s novel produced for A&E Network’s Lifetime, filmed on location in Canada. I worked with the production team on scheduling, on-set coordination, and visual continuity, bridging creative and logistical needs throughout principal photography.

Honoring Black Excellence- Adidas
Style
Forbes Hypebeast

Honoring Black Excellence is an ongoing adidas initiative celebrating Black creatives, communities, and cultural legacies. Rooted in storytelling and collaboration, the project uplifts voices across generations—highlighting artistry, activism, and heritage through fashion, film, and design. In its latest chapter, the campaign spotlighted the intergenerational power of Southern Black creativity, featuring the Gee’s Bend quilters alongside artists, families, and changemakers whose work continues to shape culture today. For the Atlanta edition, I styled honorees, performers, and community figures—including the iconic Gee’s Bend quilters and their families—bringing together archival inspiration and contemporary streetwear to visually honor the region’s creative lineage.

Seamstress- Mariah McCormick

On A Plate reimagined Atlanta’s iconic Majestic Diner as a living runway for the 2025 MLS jersey launch. In partnership with Creative Directors Keane Pearce Shaw and Pete Martin, our design team developed thirty one-of-a-kind looks that fused sports heritage and contemporary fashion.

Each jersey was up-cycled and reconstructed to reflect its most memorable fashion era from 1995 to 2025, creating a visual timeline that celebrated thirty clubs across three decades of style innovation. I collaborated closely with designers Rebeca Tsuki, Mali Gabriela da Souto Silva Reiter, and Aster Rodriguez to translate conceptual sketches into tangible garments in real time, bringing the story from pitch to runway.

On-Site Tailoring: Mariah McCormick & Kelly Isaac
Hair: Latoya Kelley Howard, Hong Le, Amy Elizabeth, Kaya Cresswell
Makeup: Elizabeth Moore, Arlene Martin, Levura Geuka Ross, Philonese West

VOGUE PORTUGAL — Cover Story
February 2025
Photographed by Harold Julian | Featuring Kat Graham

Shot on location in Maui, Hawai‘i and New York City, this Vogue Portugal cover was shot by photographer Harold Julian, whose deep roots in the islands shape his eye for natural light and landscape. I managed production logistics and provided on-set styling, adapting each look as we moved through different terrains. The shoot’s rhythm was fast and intuitive, focused on capturing each island’s atmosphere as it was.

“Standin’ in the Sun” — Stage Production
On View Aug 31 - Sep 8, 2024
Costume Design

Set in 1940s Atlanta, this play explores love, adversity, and self-discovery through period-inspired design. I created a visual language rooted in Southern realism—grounded, tactile, and reflective of the story’s emotional landscape.